Showing posts with label memory. Show all posts
Showing posts with label memory. Show all posts

Sunday, February 9, 2020

Capability


And so it was, from the fullness within time, that they gathered for tea. Bored, their thoughts wandered and mingled. However could they dispel this ennui? Somehow—and no one can remember who suggested it—the notion just suddenly appeared and hung in the air, like a fluffy cloud, Collaborate on a project.

Such a choice was infrequent and fraught with difficulties. Only one in several millions of births would be blessed in this way, to their reckoning. Generally, a child was stewarded by one, only, of these luminaries.

While pouring out second cups, their mother remarked, Don’t overdo it, Dears, remembering some previous lamentable miscalculations and failures, No one can have it all and survive the experience. Moderation, as one might say, in all things.

This gave them pause, and as if to have give themselves a bit more time to consider, they each selected either a sandwich or a biscuit to munch.

The unspoken thought mingled in the air that they each should hold back or modify an aspect of their gift. Mother was right, of course. First of all, creation too perfect was liable to be despised. They didn’t want that.

There was something about this little soul, you see, that had caught their fancy. There was a rosiness about it, one that pulsed and bloomed in various ways. It would be interesting to see what this little one would do.

The family into which this soul would be delivered eagerly awaited the arrival, and this did not escape notice. They knew the child would be nurtured and taught and fed by more than mortal food—if they had anything to do with it; and indeed, they would.

Soon, tea was over. Their mother withdrew into afternoon dreaming and remembrances. 

It was time to get to work.

***

Before long, this little one had been earmarked, inner-eye-marked, heart-formed and faceted like a precious gem. Artemis and Athena passed through, looking for something or other, liked what they saw happening, and made their own contributions: an inquisitive mind; an abiding love of the outdoors.

Dancing, perhaps not, thought Terpsichore. Calliope insisted on egalitarianism. Her sisters insisted that words and meanings were essential. Thalia, loath as she was to do so, tempered math to the point of confusion, but made up for that with a sort of overriding global conceptual understanding. Clio wanted this little one to witness and report the history of the times, and had already asked her mother to bolster that facet.

Vision was difficult to prepare in advance. As best they could, they allowed distant real-time sight, with the innovation of a mild topographical understanding, and good night vision. To moderate this, near vision was made generally good, but with a slight perceptual flaw that would tangle things and occasionally report them inverted or bunched together.

And so it was that this little soul was molded and formed, teased and tickled, cuddled and coddled in preparation for the mortal plane. At the last, she was blown from the halls of Memory into the little body already growing in her mother’s womb. Her earthly parents had already been talking and singing to her, so she was drawn to their voices. She felt warm and welcome.

***

And so, in the fullness of time, the child was born. Athena was pleased to note that she had a full head of thick red waves, and Artemis found her own hawk eyes looking back at her, though small and unfocused, as yet.

Crawling along, as a babe, slow she was to rise to bipedal status—there was so much to explore at the ground level. Sticks, rocks and dirt were first toys; elemental and of endless possibility. Rolling down a grassy knoll, grasping fingers could feel the vitality of green rising from the very roots of the grass. To her, grass was like hair. Once on her feet, skipping along, she would stop and dawdle, looking around. As she dawdled, she’d spot shiny pebbles, seeds, pods or shells. She examined the bark of trees, and traced the different shapes of leaves. She listened to the birdsongs. At sleep time, she’d hum her own tunes to her cat, who’d come to nest with her.

Her parents taught her about gardening, introduced her to music, dance and art. She learned about the changing seasons and the stars of the night sky. 

One day, while standing with her father on a wide and busy boulevard crossing, waiting for the light to change, she was astonished at the amazing speed of everything, the blur of rushing and racing people and cars, the recklessness of it all. Is it like this all the time?she wondered to herself, thinking, I’m not sure I belong here.

And then it was time to start school. Shy, pale and crowned with blazing red hair, she was an object of curiosity, a magnet for unwanted attention. Socialization was difficult; schoolyard bullies and thieves provided lessons in trustworthiness. Nearly kidnapped one day, walking home partly on her own, to meet her mother at the usual corner, taught her to be wary. Outbreaks of violence and destruction, both near and far, opened her young eyes to the fact that life was a somber matter. At six, she was shy and quiet, serious, observant.

Slowness suited her, and this was a challenge to learning. She was slow to come to reading. Part of it could be put down to daydreaming. Aromatic blooming things made her unable to focus, blurring her vision. Open windows sent in tantalizing, earthy scents and snatches of birdsong. She liked sitting at the back of the classroom, so she could let her mind wander. 

One day, the teacher realized that while the rest of the class was looking at the symbols chalked on the board with understanding, this child was not. A conference with mom took place. A life change was already in progress, but this meeting was a turning point. 

For when this child looked at the squiggles in the board, their purpose and meaning were incomprehensible to her, and when she tried to replicate them with a pencil on her notebook, many of them would be drawn backwards. When words or strands of words were attempted, they would end up out of order.

Mom took matters in hand. She sat everyday, for short interval after school, for as many days as it took, and nurtured her child to the letter and the book. When you can read, the universe is the greatest book you can open. This sentiment was pleasing to the extra-dimensional observers.

And so it was, indeed. Upon finally mastering the fundamentals, her inborn ability to remember things that interested her helped to synthesize ideas and make small footings and bridges of learning in her mind. The library soon became a favorite place to visit. Gatherings of words and symbols had eventual become as comforting as the gathering of pretty shells and stones, as exercising as long explorative walks, and speculative gazings into the night sky.

Numbers, however, never became friends. Vexed by some oddity of the way she perceived them, questionable teaching methods and shifting-like-sands curricula, numbers and formulae would jump and jumble, or worse, run across the page, pooling like the tears of Lethe, only to roll off the page and accumulate in puddles of confusion on the floor. Many sad and evenings of struggle with homework were followed by scary number dreams and school day number anxieties, especially on test days.

Nevertheless, there was a growing accumulation of knowing, leading to more interest and engagement. The growing girl held firmly to the ribbon on the end of the kite of knowledge, which was rewarded, from time to time, with a small lightning bolt of understanding. Whatever else, she was not afraid to open the Book of the Universe, even if she could not master everything within. It was understood that complete mastery was not possible; knowledge is a river that flows to the edge of time and plunges, like a waterfall, into the canyons of the unknown.

***

And so the parents had her tutored in the bowing of the strings. There was a modicum of talent. The girl’s ears were well tuned. Afternoon practice would find all the house pets piled on the bed in her room, wrapped in soothed sleep, while she fingered the board and bowed the strings, sending pleasing musical vibrations out the open upper window into the neighborhood.

The heavenly observers often wondered what primary gift might surface. Once, Urania saw people approach her; it turned out they needed directions. Why ask this particular young lady?Why not ask another adult? She frowned to herself, but as she saw the scene play out, the girl gave clear instructions, and the couple arrived at their intended destination. Such scenes happened again and again. 

The child was a magnet, of sorts; people with questions would come to her, and she did her best to answer them, although this was sometimes a frustrating irritant to her. Urania thought that it had to do with her clear and competent gaze, the clarity and tone of her voice. 

As a test, Urania guided a number of random puzzled people to her at a large public event. The girl without fail answered what questions she could, honestly reporting when she didn’t know, and referring some people to a person or area where they might find the information they sought. Hmmm, Urania thought to herself, the girl is completely aware of her surroundings; somehow people know this.

As they deepened their gaze on this aspect, they noticed that animals readily came to her, small children shared with her their secrets, and adults would confide in her.

Meanwhile, Clio was happy to observe the enduring spark of interest in history, indeed all kinds of literature.

Euterpe laughed when she took up a jug, one day, and experimented with blowing a tune on it. She might not be fit for dancing, Terpsichore observed, but she does enjoy making music.

***

And so daydreaming continued, during walks to and from school, to and from the library, during bike rides to and from the park or exploring unknown streets. She had a few friends, but most kids at school put her apart from their larger social circles. Many lunch breaks were spent in the school library, doing homework. Others spent time there, too, and the heavenly observers laughed when she formed a chess club that would meet weekly in the library. It wasn’t that she played well; she wanted to learnthe game. 

What a clever one; she’s the only girl in the club! 

In such group settings, any awkwardness she might have felt she covered with quick situational wit. Decades later, at a class reunion, people she’d hardly known would remark, You always said funny things; you made us laugh. She barely remembered any of that; she mainly remembered that certain people had always been mean while others had always been nice. Thalia murmured to herself, Laughter is a great equalizer. Her sister Melpomene said, Laughter covers pain.

But daydreams continued to surround her like a cloak, in all her alone time. 

One day, while walking home from school, she heard her name called. Looking about in all directions, she saw no one. She could not know that Mnemosyne had stirred in her own slumbers, calling out to her.

And deep in that night, the girl awoke from a sound sleep, feeling a cool breath blowing into her forehead. A jumble of words came to mind, in that moment. She tried to go back to sleep, but the words kept her awake. 

And so, she took up pencil and paper, and wrote the words down.

Only then was she allowed to fall back asleep.

When she woke in the morning, she looked, and there on the page was a little poem. How strange, she thought to herself. She didn’t know what to make of it. However she’d been given a diary, so she copied the little poem into the diary. 

She’d always wanted to keep a diary; she’d read so many interesting diaries: Hadrian, Pascal, Steinbeck, Emerson, Frank, Twain. When she opened her diary to write in it, the blank page stared at her, and she tried to think of anything interesting to write down. But it all seemed so dull, the things that happened to her during the day. 

But now she had one bit of something written in the diary.

***

And so, it began, a nocturnal adventure of writing. It nearly always started in the same manner. 

A cool breath would blow into her forehead, and awaken her from deep sleep. She could not go to sleep until she wrote down the tangle of words. 

In the morning, she would look at what was there. Sometimes she would read through and find it done. Sometimes, she would have to stir the words and add punctuation. On a few very odd occasions, the words rearranged themselves on the page. Finished bits she would write down in the diary.

She never questioned these events, nor did she talk about them. People would think I was a weirdo, she thought.

She thought the same thing on that day when a hummingbird zoomed in to examine her, at eye level. She looked, unflinching, into its eyes and saw a depth and beauty she knew she’d never be able to describe in words.

And that was okay, she realized. Not everything needs to be captured.

And on the day, years later, when she first really sang, the voice that welled up and poured out of her frame was the answer to what she realized had been a question. 

All of this life’s journey is a gathering of sticks and stones and grasses and wool, meetings with the earth and all creatures—through the senses, with words and with song. All these meetings are free and reciprocal. You can hold them only so long before you must move on, as the hummingbird finally did. The most important things stick to you, and everything else falls by the wayside. The important things, you share, you give—as often as needed, with care and with love.

Oh, the gathered extra-dimensional audience gasped, YES!

And so it was in that moment that her proper name came to them. They called her δῠ́νᾰμαι, Capability.




© 2020 by Elisabeth T. Eliassen and songsofasouljourney.blogspot.com

Tuesday, April 24, 2018

Clinamen (Swerve)

Straight lines bend,
like the supple willow branch;
even light can bend around a corner
and the voice in song
can, in the right conditions,
pierce the equanimity of the soul.

A passing thought might lead to an idea,
or it might land to resting point,
or even dissipate
into a cloud,
perhaps to reappear
—  though maybe not —
or reform in re-emergences
symbiotic with certain concurrent vibrations.

Being arises,
blossoming forth
from omnipresence
in unique expressions
based on exposure with
any surrounding elements;
attraction to certain resonances
or even repulsions,
conversions and distractions
divert every linear trajectory.

Continuity,
shaped by chance encounters
along the omnizon
with any resonant factor,
might follow a path
or diverge.

Differentiation
need not be disorienting;
every voice finds a place in the choir,
and while yet singular,
can by agreement
coalesce harmoniously
in a timely flow of momentarily
cascading resonances
punctuated by titillating,
even thought provoking, dissonance.

Each and every pathway leads,
whether blazed or followed,
divined or diverted,
elemental in its own way;
the traveler experiences
a full and varied range of
compliance or resistance,
from and with, betwixt and between,
toward eventual results that,
on one hand,
resolve to known
quantities, weights, measures
and tonalities,
though on the other,
fruitions that may never
accumulate or articulate in such a way
as to be seen, heard, felt or fully known
in the open-work of space and time. 

© 2018 by Elisabeth T. Eliassen

This is somewhat in memory of Dixon Adams ("Uncle Dodds"), that late, great book pusher, who would be tickled to know that I have found myself on a pathway through western classics, his specialty. A Lucretian/Epicurian martini of thought, blended with a whiff of Antonio Negri and Gilles Deleuze... 

Tuesday, September 5, 2017

"Seul est mien" by Marc Chagall - a translation


It is mine alone,
the land found within my soul;
I enter it without a passport,
as if into my house,
which sees my sadness
and my loneliness.
It puts me to sleep,
blanketing me like a fragrant tombstone.

Within me, gardens bloom
with all my invented flowers;
the streets belong to me,
but there are no houses;
they were all destroyed during childhood
–their inhabitants float like apparitions
in search of a home;
they live in my soul.

That’s why I smile
when my sun barely shines
or I cry
like a soft rain
in the night.

There was a time when I was of two minds;
There was a time when these two aspects
were veiled with a lovely dew
that faded like the fragrance of a rose.

Now, it seems to me
that even as I retreat,
I move forward,
up towards a high portal
with extended walls beyond which
extinguished thunder
and broken lightning sleep.

It is mine alone,
the land found in my soul.

rendered in English by Elisabeth T. Eliassen © 2017

//

Marc Chagall, one of my favorite artists, wrote this poem, perhaps during his years in France; I don’t know. What an extraordinary life he led, and what a testament to life he bequeathed to the world in his art in an evolving style and color sense that boldly strode through the length of the modern period from impressionism, cubism, fauvism, suprematism and symbolist through surrealism and beyond. How difficult it must have been to write this poem, a love letter, as it seems to be, to his interior life.

I have seen many translations of this poem over the years, and felt a need to add my own sense and touch to it. So many of the versions I've seen are too literal, as if the translator knew nothing about Chagall’s life and could not see that there are references embedded in the statement.

I don’t claim to know more than anyone else, but certain choices presented themselves to me, and I take the opportunity to present them.

The soul is the one aspect of life each individual owns completely and utterly. I think this is a very stark and very true, very transparent declaration; less an allusion than a truism. Two bits that were very difficult for me to incorporate in a holistic presentation reside in the expressions, “d'une pierre parfumée,” and “Il fut un temps où j'avais deux têtes / Il fut un temps où ces deux visages.”

In the case of the phrase including d'une pierre parfumée,” I took a leap, as I am unaware of any idiom that would impart a more specific meaning. (Perhaps someone can enlighten me!) If the artist’s soul is his house, within which an entire world stretches forward, populated by nature and people, but not other structures, because they have been destroyed by war, then the soul that houses that world must be protected by something very strong. The soul can only be known, explored and owned by the individual, and when the individual dies, the world of that soul also dies. While the soul is alive, however, it needs rest and safety. This is what dictated my choices in those lines.

To some extent, Chagall never left the Liozna shtetl near Vitebsk, but he became an international figure. In 1944, a New York newspaper printed Chagall’s open letter to Vitebsk, in which he said, “I did not live with you, but I did not have one single painting that did not breathe your spirit and reflection.” It is on this point that I chose to express “j'avais deux têtes” as “was of two minds” and “ces deux visages” as “these two aspects.” A case could also be made that “j'avais deux têtes” is a reference to his first wife Bella… that is for someone else to explore.

Saturday, May 14, 2016

Another Waiting

Waiting,
ever present
in this issue
of living,
encompassing,
as it cannot help but do,
the elegant enigma life,
from birth,
and expansion,
through experience
and arrival at the passage
through which death
may be an another emergence,
if not a healing.

Certainly this life,
this is an exploration,
if you will,
of the complexity
of the soul;
where we are
in each moment,
we think and feel
in a language of
fluidly visible emotion,
on a landscape
of shifting times
and trials,
and waiting,
suspended in either
joy or grief.

For what do we wait?
Will time tell the tale?

Perhaps we’ll never realize
the moment in which we
slip into that possibility
that goes against the
grey grip of fate,
into unforeseen,
unanticipated,
because unimagined,
furthering.


© Elisabeth T. Eliassen 2016

Tuesday, September 22, 2015

Introductions, a Memory

Out of an abundance of need,
two women
—one a sister,
the other a friendly stranger—
drew together in an embrace,
propelled by the spontaneity
only a history of sorrow might trace.

In that moment,
one of life’s mysteries
would find full flower
and understanding.

In that moment:

One realized
her sister had spun
a mantle of love and beauty
large enough to cover family,
friends and neighbors,
while inviting many others in
—a sending of
her family’s values out
to grow in the world.

The other very nearly felt
the beating heart
of the lost friend,
and knew the depth
of that rhythm’s origins
in the family,
from which she had poured forth
as lightness and love,
later fully distilled
into a golden girl child,
united now forever with,
inseparable from, her mother
in death.

Two strangers,
in that moment,
may have shared one,
perhaps the same realization,
and tightened their hold
on one another,
with a strange mixture
of tearful elation and deep sorrow:

Fiercely joyous untold love
had been unleashed into
and would live on in the world.

Parting as strangers,
never to meet again,,
each was consoled
in the knowledge that
She and her Girl,
from whatever beyond,
were continuing
to make introductions.


© 2015 by Elisabeth T. Eliassen

in memoriam Rachel and Annika

Friday, November 14, 2014

Now and Then


Now and then,
in the glare of some too bright light,
there is heaviness to the world,
or perhaps it is this flesh
that weighs so.

We do not own this moment,
or even our memories,
for all things change--
we are all changing,
and soon shall all be changed.

As the leaves blush with color,
falling like showers of tears,
they seem a dry and wrinkled
testament to all that was,
both green and young;

But what these eyes have seen
lies deep within this soul,
a music of memories
rising to the surface,
now and then.

Now and then,
backward, then fast forward;
Autumn leaves give way
to light Spring eves,
with buds on all the trees.

Now and then—
who can say when?
—wistful memories
of so many days gone by
will rightly sing this soul alight.


© 2014 by Elisabeth T. Eliassen

Tuesday, October 14, 2014

Procrastination


Breezes shift,
stirring leaves in spirals,
stirring music of memory,
conjuring seasons past,
reasons present,
and stretching toward
regions unexplored.

Memories are fragile,
like a house of cards,
built as much with forgetting
as remembering,
and yet, and yet,
the stirring and the falling,
well, that’s all right.

Sweeping up this pile,
a thoughtful procrastination,
not to relive, but to realize
all that has been,
all that has changed,
all that has been built
because of all that came before,
a moment to pause and reflect,
a moment to cherish.

Wistful in the windswept lane,
meanings present themselves not,
but experience is the unending song,
a music built on all such themes
as sift now through my soul
and tug my vision forward.

© 2014 by Elisabeth T. Eliassen

Saturday, March 15, 2014

Meditations in Fast Times: 8. Wind howls over the sea like a wraith


                 8.

Wind hovers over the sea like a wraith,
the howl and yell
measure time, and tell
the story of our weak and waning faith,
as it slowly crumbles into ruin.

Smoldering wreckage
we have not found,
loss incalculable by pound,
like another of a bygone age,
hijacked and crashed,
other hearts and hopes dashed;
our lives, those lives and these
traded for political gain,
or with revenge to appease
a movement not for peace,
only for blood-soaked increase
within a culture of death.

We stand at the shore,
praying for an answer,
hoping we are wrong, and more,
waiting for a cure for such cancer
—cannot this corruption finally be consumed
so that corruption itself will cease?
—We presume all are doomed,
but what was it all for?

© 2014 by Elisabeth T. Eliassen

Sunday, March 31, 2013

Birdsong


The bird sang,
singing to the beauty of day and light,
from the afternoon through the night,
and this sweet music was the very last,
the most utterly sweetest collection of sounds of all,
and why Jesus wept.

Hearing the sweet song,
he remembered the time before time,
he remembered the Artist forming time
and all being, and being formed within and from it all
—and though he knew that the bird could not know this,
he and the bird and the song would meet in Paradise.

And thus it was that,
on the third day,
the sun rose,
and the bird sang for joy,
and the bird’s song was heard
both in this world and all the others.

© 2013 by Elisabeth T. Eliassen

Friday, August 31, 2012

Infusion For Reflecting on a Blue Moon Kind of Day


A Blue Moon, any way you cut the definitions, is an unusual occurrence.  

Tonight’s Blue Moon is the second occurrence for this calendar year, and we won’t have another until 2015!

I say: if a Blue Moon is an unusual occurrence, then this should be cause for a celebration!

However, let’s not make it a loud, raucous party. Perhaps, instead, the Blue Moon could be treated as an unusual opportunity to take time out for reflection, relaxation and rejuvenation. Maybe a cuppa will be just the thing for you!

An Infusion for a Blue Moon

Equal Parts blended in a tea ball or loose in the bottom of your teapot:

BASIL leaves– stimulates mental clarity, concentration and memory
LEMON BALM leaves – a simple sedative, mood elevator works well with other herbs
LAVENDER leaves and buds – stimulates memory, helps with headaches
ROSE flowers or buds– soothing on the nerves
ROSEMARY leaves and flowers – both stimulates and calms the system, standard infusion
SPEARMINT or CATNIP leaves – restorative, stimulant, fuel the imagination
SAGE leaves – a calming restorative, lowers blood pressure

Prepare as a standard infusion, steeping your desired mixture of these herbs and flowers in boiled water for 15 to 20 minutes, 32 measures water to 1 measure of the infusion mixture. Pull out the tea ball or strain the infusion into your favorite mug. Sweeten or not, as you like. A bit of lemon juice might be lovely, if you choose.

What makes this infusion blue for a Blue Moon is the blue flower of rosemary and the blue bud of lavender.

Sit back in a comfortable chair, sip the infusion. Listen to soothing music or to the silence that surrounds you. Let calm and silence fill you. Let your brain and body feel refreshed.

And then, let your mind wander in focused memory and reflection. Be filled by your experience of this gift you are giving to yourself.

You know I am not a doctor, so any information I have to offer is not a prescription, but a soothing recipe.

Peace be with and in you! 

Wednesday, June 13, 2012

Shadows and Shades

At the outer edges of awareness,
shades hide in shadows,
silken shades,
peripheral,
yet presently alive,
watching and wondering,
witnessing
the shift of time,
as actions and images flow,
revising truth,
reviving resolve,
releasing moment
from any proviso
that may try to hold
what no longer is
to what may become.

What can be no longer
is not, is not, and can never see
beyond what was
that can never be again,
but in shadow, in shade
and in memory.

Shades hide in shadows 
at the edges of awareness, 
silken shades, 
sight out of light, 
away from sharp pain of focus,
fleeing and fading, 
colorless dissolutions 
that evolve and resolve,
even hope to solve, 
in the offing of ever,
newness and beginnings.


© 2012 by Elisabeth T. Eliassen

Friday, April 27, 2012

To Free The Soul

Open wide the gates,
filling the vast interior
with whatever inspirations
are eager to be
and be beyond.

Embrace equally the visible
as well as the invisible,
so the song of You
that loves to fly
will be multidimensional.

Digest every lesson
in your composition,
reaching for what is good
of all available beauty;
this makes harmony inevitable.

They say "leave no trace",
but I say "carry your song,
deliver it often and long";
transition once complete,
dawn will glow of your smiling face.


© 2012 by Elisabeth T. Eliassen

Tuesday, April 5, 2011

Trignosis 3.

3. visions


from the garden,
echoes of a faded music
round the corner of forgetting

the tapestry of being
unfurls before me,
as if it could be mine
and of my making

and so I sing,
I sing to the beauties of being
and the words tumble out
like colored threads
to dazzle
and then
to darn themselves
into the warp and woof
of continuity

do I truly see,
or is it that I flow
as a thread among
the seas and seams?

from the garden,
echoes of a fading song
round of the corner of forgetting

perhaps I should enter there,
and follow

© 2011 by Elisabeth T. Eliassen

Tuesday, March 15, 2011

Fainting


Shock of pain,
then shock of shock,
and a struggle to keep the lamp steady and lit;
but darkness overtook, nonetheless.

An intervening interval,
until remembering remembering,
and to remember now again.

Remembering now,
light returned,
not all at once,
but in pieces pixel-like,
flickerings fluttering on,
cascading upwards
as from the bottom of a canvas
to the top of a landscape,
until the world was back,
as painted by the mind’s eye.

What of that interval,
one cannot know for certain;
but the soul remembers of the darkness
a relief at finding restful peace,
and a longing to remain there.

© 2011 by Elisabeth T. Eliassen

Monday, January 31, 2011

Flowers I Have Culled

Flowers, flowers I have culled
from the garden of your disaffection.

Small they are,
yet poignant—
they offer a wistful air,
as if afraid to breathe.

Yes, I have culled flowers,
flowers from the garden of your disaffection,
and I have put them in the sun,
to dry into memory.

Small and sad,
vague and rootless,
I could never get near enough
to find the center
so to transplant them
into more fertile soil.

So the only recourse
to their withering
is to cull the flowers
and to dry them,
like the tears I have shed,
to preserve their essence,
yet let them fade
into a less painful memory.

Perhaps I should walk away,
but there is yet a tristesse beauty
that draws me to care, and so
I continue to cull the flowers,
if only to preserve a beauty
that might have opened to the light.

© 2011 by Elisabeth T. Eliassen