Saturday, March 30, 2019

So You Bought Yourself A Band, Redux

To recap from our last episode:

Nemesis, the cold light of truth, awaits you, in every seat, in every concert hall.

Entertain me. Make me smile.

Nemesis is waiting to see and hear what you will deliver.

//

So, time has passed. 

“Back in the Family,” you said, “where it belongs.” And that’s where you began your bait-and-switch, at venues that had been advertising other performers for nearly a year. You donned the requisite striped shirts and made your move. (We note that stills of the old lineup continue to show up in venue promotions, even today…)

But it was soon evident that cracks were forming.

The ham-fisted, litigious takeover immediately turned off longtime fans that might have continued to be your primary audience. You got into brawls on the internet with people. Lawsuits surely won’t build a new fan base, and trademark licensing doesn’t entitle the licensee to threaten tribute bands covering “your” songs… 

You discovered, to your chagrin, that the summer camp you thought came with your purchase deal was actually owned and operated by someone else. (You didn’t do your homework.) You tried to create a new camp, but no one signed up. Quelle surprise! The fans you’d turned your back on were the very ones who had the means to devote to such pastimes; who did you think you were going to attract? Being that you can’t sing or play all that well means it is extremely doubtful you could teach, so what were you planning to offer? It couldn’t have ever been more than a schmooze-and-booze punctuated by posing and boasting, nothing more than a one-night stand.

Swiftly must have come the realization that one set wasn’t enough for a whole show. You discovered you couldn’t sing some songs in the keys they’d been performed in. Three-part harmonies flat-lined into unison. Instrument tuning was, shall we say, problematical. Lame is the patter, and y’all ain’t got rhythm. Adding songs that had never been part of the repertoire, one can only wonder about that. But not taking requests and leaving out some signature tunes audiences have come to expect actually does have an impact in terms of branding, marketing and sales, or so it has been just generally opined in the pages of both the Wall Street Journal and the Hollywood Reporter.

Nemesis has seen the videos, and she has heard the whispering on the wind. 

Interestingly, somewhere along the line the DNA baby got thrown out with the bath water; lo and behold, the thing isn’t really in the family anymore. At this point, the only legacy member is actually the sideman, a non-member.

Then, a fight broke out over the website. For a while, no one who might have wanted to see shows could find out anything about them. The old URL points to some other group; and while there is a new URL for The Group, no one can find it. The investors must be a bit concerned; if they aren’t, they should be.

Spies have informed Nemesis that phone calls had been made to former members, trying to sound out availability to “fill in” or “replace” well before the apparent coup d'état. Most of these parties politely demurred, as involvement could be construed as legitimizing something or someone. People who did step in struggled to perform with you, as the arrangements had been dumbed-down or put into different keys, and signature licks had been ditched. Ultimately, poaching someone from another group can only make it sound better, so that’s one plus for you... 

Email alerts come in from the four corners; there is abundant ticket availability! People who work the venues report arrogance and mistreatment back stage. Believe me, presenters will think twice, if they haven't already done so. Investors must be a bit concerned; if they aren’t, they should be. When any tribute band can play and sing circles around you, who will pay top dollar to hear less than the very best that can be done, to hear you “learn on the job”? 

And this has entertained Nemesis the most: There has been absolutely no need for her to intervene!

Your reputation precedes you. While you can fool some of the people some of the time, you cannot fool them all. What you can do is fool yourselves, as long as ever you want – at a price.

It is said that revenge is a meal best served cold. The sideboard is laid. The wine is chilled and the glasses are filled. It is all just a matter of time. 

Let us raise the parting glass!

Raspberries, strawberries, let us toast with fine wine:
Here's to the songs that we used to love, dying on your vine.

Addendum: The show at Yoshi's in Oakland CA on 5/15/19 was less than 1/3 sold...

Sunday, March 24, 2019

Rise Up And Ride



~ to celebrate Lawrence Ferlinghetti on his 100thbirthday

We gather
We gather around
and while around We gather
We reflect in the moment
Our reflections remotely interior
reflections that ripple on our surfaces
with experience and emotion
expectation going unspoken
passing traumas unconfessed
tattooed on every cell of blood
that roams the living heart
teased by inner drums
to dance

We gather
We gather around
and while We gather
Our reflections speak
riffing off Our rippling shores
through Our interior drumbeats
and Our drumming fills the space
with that intricate ostinato called
Our Shared Humanity

The Prophet
softly approaches
reading the crowd
feeling the bed of drums
and the spaces between each beat
the World of hurt and of love
the crashing of the seas
the winds of time
motes of the dust of an hundred years
—and more, perhaps—
bounce in the City Lights,
and out of the depths
of these waiting primordial rhythms
he speaks

Friends, Poets, Countryfolk,
quothe he,
There is nothing I can say
that you are not breathing right now
into the outermost continuities of space
—Our collected vibrations are heavy
their mass carries weight yet gives light
unto those of us who are trapped in the night
the collective sighs of We gathered Here
join with those of a Nation and a World
clamoring to settle into any groove
that will kick the beat forward

I say to You
“Kick it forward”

and I’m not talking about any can
but can-do
though any can will do
and be suffered to be cycled
and can be recycled
if you will
into the latest new case for Now

Because Pandora opened the can
all that spilled out is a reckoning
that can only be assuaged
in the timeless Era of Jazz
in the balm of the Beat
in the work of weaving
among hearts heaving
in the joy of healing
in the heat of the night

I say it again
“Kick it forward”
and that means You
You’ve got to swing into the groove
of that bed laid in long ago,
now is the time for listening
to hear rags and blues glistening
in singing and dancing
with canons and fugues
that RISE UP

Round while We gather
be here and hear, Dears,
hear the beating of All Your Drums
gather your precious song of Humanity
Kick it all forward into your swing
and into it find your groove;
join the ostinato traffic lane
and enter the wave dancing
RISE UP
and once arisen
RIDE!

© 2019 by Elisabeth T. Eliassen

Sunday, March 10, 2019

Garden of Delight


Hoo-hoo.    Hoo.
Who, who?    Who?

All beauty, all abundance,
lying in waste
and left to chance;
a garden of delight,
left in your keeping,
fallen into sad plight,
pushed to contortions
of distortions.

The owl’s head pivots,
but, alas, the indignities
lie arrayed in all directions,
and there is no place
where she may lay her head.

Hoo-hoo.    Hoo.
Who, who?    Who?

Who shall stand
when Authority comes,
calling all to account?

“No harm; no foul,”
cry thee unto the hills;
I hear ye, I hear the laughter
as rolling gales of hubris.

“Hang the prophets;
Hang the law,”
they taunt,
“We will do what we want.”

Hoo-hoo.    Hoo.
Who, who?    Who?

Who shall stand
when Authority comes,
calling all to account?

As surely as the sun rises
on the watchers and the holy ones,
Freedom is a sword;
all dance on a razor’s edge.

When the holy Storm comes
with it’s crucible of fire,
know that the angels,
terrible in their beauty,
follow closely after
to wipe away all trace
of offense, all corruption,
and then restore the garden to Grace.

© 2019 by Elisabeth Eliassen

//
I am become as an owl of the waste places.
― Psalm 102:6

But who can endure the day of His coming? And who can stand when he appears? For he is like a refiner’s fire and like a fuller’s soap.
― Malachi 3:2

Life is tragic simply because the earth turns and the sun inexorably rises and sets, and one day, for each of us, the sun will go down for the last, last time. Perhaps the whole root of our trouble, the human trouble, is that we will sacrifice all the beauty of our lives, will imprison ourselves in totems, taboos, crosses, blood sacrifices, steeples, mosques, races, armies, flags, nations, in order to deny the fact of death, the only fact we have. It seems to me that one ought to rejoice in the fact of death—ought to decide, indeed, to earn one’s death by confronting with passion the conundrum of life. One is responsible for life: It is the small beacon in that terrifying darkness from which we come and to which we shall return.
― James Baldwin, from “The Fire Next Time” 

Friday, March 8, 2019

Called Out



Out of the silent dust
was I called to be

Blown by some sacred breath
into the spring of existence,
particles stirred by
quaking earth and fire,
drowned by storm,
invisibly formed

Some distant song
carried its precious mass
through the void

“Who will go for us?”

Ears to hear, then unexpected response,
“Send me!”

And just as I Am is,
I became further I,
germinated,
embodied,
and released
with eyes to see,
ears to hear,
breath with which
to make voice
into the matchless
universe,
legs with which
to wander the shadowed valley,
arms and hands with which
to grasp, to gain, to give

According to each day
according to every season
according to any moment,
of which all are new
births under different light,
searching, and seeking,
wandering and weeping,
struggling,
learning
being,
serving,
loving,
in vital witness,
as ever be can be,
woven as am I of paradoxical parameters,
warp and weft, contradictory

[right and wrong,
sickness and health,
real and false,
free and oppressed,
generous and miserly,
careful and careless,
studious and ignorant,
shy and outgoing,
loud and silent,
joyful and angry,
studious and perfunctory,
color, full and less,
visible and invisible,
and so on, ad infinitum]

This song,
mine and ours,
knows no end
but partial ends forthcoming

by and by
—one knows not the wherefore nor why,
only that existence presses forward,
revolving and evolving,
perhaps toward,
and even sowing,
knowing

[shall ever I do?
shall ever I know
what I is, am and ever was
or why,
and if then,
what next might be/is,
what might be beyond
or what beyonding might bond?]

And when the Song calls me back
to that valley of bones
that river of dust,

Be, as I’ll be
marked:
Return to Sender,
Am I to I Am,
Thine to Thee.

© 2019 by Elisabeth T. Eliassen
(A meditation for lent on International Women's Day)