Showing posts with label truth. Show all posts
Showing posts with label truth. Show all posts

Sunday, February 9, 2020

Capability


And so it was, from the fullness within time, that they gathered for tea. Bored, their thoughts wandered and mingled. However could they dispel this ennui? Somehow—and no one can remember who suggested it—the notion just suddenly appeared and hung in the air, like a fluffy cloud, Collaborate on a project.

Such a choice was infrequent and fraught with difficulties. Only one in several millions of births would be blessed in this way, to their reckoning. Generally, a child was stewarded by one, only, of these luminaries.

While pouring out second cups, their mother remarked, Don’t overdo it, Dears, remembering some previous lamentable miscalculations and failures, No one can have it all and survive the experience. Moderation, as one might say, in all things.

This gave them pause, and as if to have give themselves a bit more time to consider, they each selected either a sandwich or a biscuit to munch.

The unspoken thought mingled in the air that they each should hold back or modify an aspect of their gift. Mother was right, of course. First of all, creation too perfect was liable to be despised. They didn’t want that.

There was something about this little soul, you see, that had caught their fancy. There was a rosiness about it, one that pulsed and bloomed in various ways. It would be interesting to see what this little one would do.

The family into which this soul would be delivered eagerly awaited the arrival, and this did not escape notice. They knew the child would be nurtured and taught and fed by more than mortal food—if they had anything to do with it; and indeed, they would.

Soon, tea was over. Their mother withdrew into afternoon dreaming and remembrances. 

It was time to get to work.

***

Before long, this little one had been earmarked, inner-eye-marked, heart-formed and faceted like a precious gem. Artemis and Athena passed through, looking for something or other, liked what they saw happening, and made their own contributions: an inquisitive mind; an abiding love of the outdoors.

Dancing, perhaps not, thought Terpsichore. Calliope insisted on egalitarianism. Her sisters insisted that words and meanings were essential. Thalia, loath as she was to do so, tempered math to the point of confusion, but made up for that with a sort of overriding global conceptual understanding. Clio wanted this little one to witness and report the history of the times, and had already asked her mother to bolster that facet.

Vision was difficult to prepare in advance. As best they could, they allowed distant real-time sight, with the innovation of a mild topographical understanding, and good night vision. To moderate this, near vision was made generally good, but with a slight perceptual flaw that would tangle things and occasionally report them inverted or bunched together.

And so it was that this little soul was molded and formed, teased and tickled, cuddled and coddled in preparation for the mortal plane. At the last, she was blown from the halls of Memory into the little body already growing in her mother’s womb. Her earthly parents had already been talking and singing to her, so she was drawn to their voices. She felt warm and welcome.

***

And so, in the fullness of time, the child was born. Athena was pleased to note that she had a full head of thick red waves, and Artemis found her own hawk eyes looking back at her, though small and unfocused, as yet.

Crawling along, as a babe, slow she was to rise to bipedal status—there was so much to explore at the ground level. Sticks, rocks and dirt were first toys; elemental and of endless possibility. Rolling down a grassy knoll, grasping fingers could feel the vitality of green rising from the very roots of the grass. To her, grass was like hair. Once on her feet, skipping along, she would stop and dawdle, looking around. As she dawdled, she’d spot shiny pebbles, seeds, pods or shells. She examined the bark of trees, and traced the different shapes of leaves. She listened to the birdsongs. At sleep time, she’d hum her own tunes to her cat, who’d come to nest with her.

Her parents taught her about gardening, introduced her to music, dance and art. She learned about the changing seasons and the stars of the night sky. 

One day, while standing with her father on a wide and busy boulevard crossing, waiting for the light to change, she was astonished at the amazing speed of everything, the blur of rushing and racing people and cars, the recklessness of it all. Is it like this all the time?she wondered to herself, thinking, I’m not sure I belong here.

And then it was time to start school. Shy, pale and crowned with blazing red hair, she was an object of curiosity, a magnet for unwanted attention. Socialization was difficult; schoolyard bullies and thieves provided lessons in trustworthiness. Nearly kidnapped one day, walking home partly on her own, to meet her mother at the usual corner, taught her to be wary. Outbreaks of violence and destruction, both near and far, opened her young eyes to the fact that life was a somber matter. At six, she was shy and quiet, serious, observant.

Slowness suited her, and this was a challenge to learning. She was slow to come to reading. Part of it could be put down to daydreaming. Aromatic blooming things made her unable to focus, blurring her vision. Open windows sent in tantalizing, earthy scents and snatches of birdsong. She liked sitting at the back of the classroom, so she could let her mind wander. 

One day, the teacher realized that while the rest of the class was looking at the symbols chalked on the board with understanding, this child was not. A conference with mom took place. A life change was already in progress, but this meeting was a turning point. 

For when this child looked at the squiggles in the board, their purpose and meaning were incomprehensible to her, and when she tried to replicate them with a pencil on her notebook, many of them would be drawn backwards. When words or strands of words were attempted, they would end up out of order.

Mom took matters in hand. She sat everyday, for short interval after school, for as many days as it took, and nurtured her child to the letter and the book. When you can read, the universe is the greatest book you can open. This sentiment was pleasing to the extra-dimensional observers.

And so it was, indeed. Upon finally mastering the fundamentals, her inborn ability to remember things that interested her helped to synthesize ideas and make small footings and bridges of learning in her mind. The library soon became a favorite place to visit. Gatherings of words and symbols had eventual become as comforting as the gathering of pretty shells and stones, as exercising as long explorative walks, and speculative gazings into the night sky.

Numbers, however, never became friends. Vexed by some oddity of the way she perceived them, questionable teaching methods and shifting-like-sands curricula, numbers and formulae would jump and jumble, or worse, run across the page, pooling like the tears of Lethe, only to roll off the page and accumulate in puddles of confusion on the floor. Many sad and evenings of struggle with homework were followed by scary number dreams and school day number anxieties, especially on test days.

Nevertheless, there was a growing accumulation of knowing, leading to more interest and engagement. The growing girl held firmly to the ribbon on the end of the kite of knowledge, which was rewarded, from time to time, with a small lightning bolt of understanding. Whatever else, she was not afraid to open the Book of the Universe, even if she could not master everything within. It was understood that complete mastery was not possible; knowledge is a river that flows to the edge of time and plunges, like a waterfall, into the canyons of the unknown.

***

And so the parents had her tutored in the bowing of the strings. There was a modicum of talent. The girl’s ears were well tuned. Afternoon practice would find all the house pets piled on the bed in her room, wrapped in soothed sleep, while she fingered the board and bowed the strings, sending pleasing musical vibrations out the open upper window into the neighborhood.

The heavenly observers often wondered what primary gift might surface. Once, Urania saw people approach her; it turned out they needed directions. Why ask this particular young lady?Why not ask another adult? She frowned to herself, but as she saw the scene play out, the girl gave clear instructions, and the couple arrived at their intended destination. Such scenes happened again and again. 

The child was a magnet, of sorts; people with questions would come to her, and she did her best to answer them, although this was sometimes a frustrating irritant to her. Urania thought that it had to do with her clear and competent gaze, the clarity and tone of her voice. 

As a test, Urania guided a number of random puzzled people to her at a large public event. The girl without fail answered what questions she could, honestly reporting when she didn’t know, and referring some people to a person or area where they might find the information they sought. Hmmm, Urania thought to herself, the girl is completely aware of her surroundings; somehow people know this.

As they deepened their gaze on this aspect, they noticed that animals readily came to her, small children shared with her their secrets, and adults would confide in her.

Meanwhile, Clio was happy to observe the enduring spark of interest in history, indeed all kinds of literature.

Euterpe laughed when she took up a jug, one day, and experimented with blowing a tune on it. She might not be fit for dancing, Terpsichore observed, but she does enjoy making music.

***

And so daydreaming continued, during walks to and from school, to and from the library, during bike rides to and from the park or exploring unknown streets. She had a few friends, but most kids at school put her apart from their larger social circles. Many lunch breaks were spent in the school library, doing homework. Others spent time there, too, and the heavenly observers laughed when she formed a chess club that would meet weekly in the library. It wasn’t that she played well; she wanted to learnthe game. 

What a clever one; she’s the only girl in the club! 

In such group settings, any awkwardness she might have felt she covered with quick situational wit. Decades later, at a class reunion, people she’d hardly known would remark, You always said funny things; you made us laugh. She barely remembered any of that; she mainly remembered that certain people had always been mean while others had always been nice. Thalia murmured to herself, Laughter is a great equalizer. Her sister Melpomene said, Laughter covers pain.

But daydreams continued to surround her like a cloak, in all her alone time. 

One day, while walking home from school, she heard her name called. Looking about in all directions, she saw no one. She could not know that Mnemosyne had stirred in her own slumbers, calling out to her.

And deep in that night, the girl awoke from a sound sleep, feeling a cool breath blowing into her forehead. A jumble of words came to mind, in that moment. She tried to go back to sleep, but the words kept her awake. 

And so, she took up pencil and paper, and wrote the words down.

Only then was she allowed to fall back asleep.

When she woke in the morning, she looked, and there on the page was a little poem. How strange, she thought to herself. She didn’t know what to make of it. However she’d been given a diary, so she copied the little poem into the diary. 

She’d always wanted to keep a diary; she’d read so many interesting diaries: Hadrian, Pascal, Steinbeck, Emerson, Frank, Twain. When she opened her diary to write in it, the blank page stared at her, and she tried to think of anything interesting to write down. But it all seemed so dull, the things that happened to her during the day. 

But now she had one bit of something written in the diary.

***

And so, it began, a nocturnal adventure of writing. It nearly always started in the same manner. 

A cool breath would blow into her forehead, and awaken her from deep sleep. She could not go to sleep until she wrote down the tangle of words. 

In the morning, she would look at what was there. Sometimes she would read through and find it done. Sometimes, she would have to stir the words and add punctuation. On a few very odd occasions, the words rearranged themselves on the page. Finished bits she would write down in the diary.

She never questioned these events, nor did she talk about them. People would think I was a weirdo, she thought.

She thought the same thing on that day when a hummingbird zoomed in to examine her, at eye level. She looked, unflinching, into its eyes and saw a depth and beauty she knew she’d never be able to describe in words.

And that was okay, she realized. Not everything needs to be captured.

And on the day, years later, when she first really sang, the voice that welled up and poured out of her frame was the answer to what she realized had been a question. 

All of this life’s journey is a gathering of sticks and stones and grasses and wool, meetings with the earth and all creatures—through the senses, with words and with song. All these meetings are free and reciprocal. You can hold them only so long before you must move on, as the hummingbird finally did. The most important things stick to you, and everything else falls by the wayside. The important things, you share, you give—as often as needed, with care and with love.

Oh, the gathered extra-dimensional audience gasped, YES!

And so it was in that moment that her proper name came to them. They called her δῠ́νᾰμαι, Capability.




© 2020 by Elisabeth T. Eliassen and songsofasouljourney.blogspot.com

Sunday, June 30, 2019

Cowrie Dreams



Having had this dream over many nights,
of singing in a church
with a stained glass window
depicting God’s eyes, ears and lips
as cowrie shells,
I confess to cowrie dreams
having haunted my daydreams
and daytime thoughts
about this world of beauty
and of crisis.

Amazing that shells are invested so much
meaning over the epochs
of human existence:
as pawns in the games of children;
as money for trade,
great strands of them roped around
the necks of men striving
over mountains and across deserts;
tools of divination into the divine mystery;
potent symbol of feminine power,
for creation and for renewal.

The cowrie see,
the cowrie hear,
the cowrie speak,
and settled in the fossil record,
they uphold each fragile footstep
and crushing blow to the crust
of an ever growing and complex planet,
while yet soft sea breezes
play through them
on bleached white beaches,
where mothers fish
while keeping watch
over their small children
playing the ancient first games,
manipulating sticks, stones and shells
—where rules are of expedient moment,
and later lost, consigned to memory,
or buried with all that is deemed childish
once ways, means and manners are cultivated.

But still the cowrie see,
the cowrie hear,
the cowrie speak,
the cowrie take it all in
reporting, sorting, retorting
from the depths of silence,
marking, remarking and remaking
from within deep wells possibility
on wings of wind and weather.

What is?
What has been?
What shall be?
What is real?
What is truth?
What is imagination?
What is good and bad?
What do the cowrie see,
the cowrie hear,
the cowrie speak,
if indeed they impart
by way of the shifting winds?

One true day,
these feet found their fragile way
over a patch of fossil record
into a sanctuary lovingly rebuilt
by generations following
its eve of destruction
by hurricane.

There, above an altar
to human resilience,
the very modern clerestory
depicts Omniscient Divine
as having cowrie eyes, ears and lips
—and there I sang, I sang there,
my voice joined with others,
while in concert this descant
sang potently within my soul:
I called to you, and you came,
and here we are, together
.

The song of the watchful cowrie:
In this existence,
nothing is guaranteed,
but even so,
anything is possible,
because no matter where we are,
we are together.




© 2019 by Elisabeth T. Eliassen

//


The dream depicted in this poem is real, and it recurred over a number of months in 2010. In 2013, I traveled to Cuba on a cultural exchange visa with the choral group, Pacific Mozart Ensemble, now known as Pacific Edge Voices, under the direction of Lynne Morrow. One of the places in Havana where we performed was Iglesia de San Francisco de Paula. When we entered the building, it dawned on me (as I moved closer to the altar window) that I had met my dream! Not in the depiction of Jesus, which is so standard, even cheesy, in conforming to a European standard of what Jesus might look like, but in the depiction of the All Seeing Divine, which can just be vaguely discerned in the photo within a bluish bubble above Jesus, at the very top of the window. There was the Divine depicted with cowrie openings, always open both ways. I was to see the metaphor in other art works, while in Cuba, but at that moment, I was astonished that dream had met reality. 



Monday, October 20, 2014

Bare Necessity


As through an open door,
the sun rises,
and the spider gates
enwrap the early riser
with morning glory.

Light wakes all sleeping places,
unveiling every hidden place,
filling all with the beauty
known as dawn.

All names rise, too;
all are known and know,
nothing is strange or out of place,
there is no mystery of otherness.

What is revealed
in the rising of the sun
is, and all must work together,
through the good and the bad,
rolling onward, and more.

© 2014 by Elisabeth T. Eliassen

meditation on Isaiah 45:1-7 and Luke 8:17

Wednesday, September 3, 2014

The Starlight Ballroom


With a subtlety
bordering on flagrancy,
every outer contour
of awareness
opens to the great dance.

So many strive
against conformity
by conforming;
proclaiming their uniqueness,
they spiral inwardly toward implosion.

Can you keep a secret?

This world of light and dark,
of beauties seen and unseen,
does not feel any dominion we claim,
and only just tolerates our presence.

In ever expanding waves of motion,
patterns weave an imperfect math,
advancing the latest musical form,
one poised to rend the fabric of time
and make everything new.

Given the choice,
I would rather unravel
into starlit dance.

© 2014 by Elisabeth T. Eliassen

Monday, July 14, 2014

Sonnet on a Poem by Ch'iu Wei


To this place, at the mountaintop,
have I climbed, in search of you and of truth;
my knock at the door echoes without stop.
Table and hearth are revealed in the booth,
but your presence is lacking, forsooth;
perhaps you fish the pools of the river.
In vain have I called on you, so uncouth
my need to know, guised to deliver
greeting. Instead, visited by shiver
of fresh rain on grass and murmuring pines,
thus I breathe in peace, sliver on sliver,
‘til purified, cleansed, emptied of designs.
Descending your mountain, light on my feet,
I know I’ve been met, and now am replete.

© 2014 by Elisabeth T. Eliassen


A note to readers:

This sonnet is the result of an experiment. A hyperactive reader, I far too often (for the sake of my pocketbook) find myself in bookstores. I particularly like secondhand shops, as there are treasures to be found that are no longer in print; many of these are unlikely to ever be reprinted. One such treasure, a recent find, is a Chinese/English printing, entitled (in Chinese and English) “Three Hundred Poems of the Tong Dynasty.” It is a trade paper, sewn edition. Because I cannot read Chinese, neither do know the publication information or year, or the name of the translator(s). The only clue I have as to the book’s origin is the book seller’s stamp in the back of the volume: Hansan Trading Company, 28 Pell Street, New York, NY 10013; This business no longer exists.  

While waiting for my dental appointment to begin, I opened the book and started reading. One poem, not very far in, struck my eye. Thematically, the poem represents so much of what I feel life is like and about, for me and for many others: A trip through the wilderness, in search of answers.

This is the poem, as translated (by Witter Bynner, I later discover) in the Hansan Trading Company book:

After Missing the Recluse on the Western Mountain

To your hermitage here on the top of the mountain
I have climbed, without stopping, these ten miles,
I have knocked at your door, and no one answered;
I have peeped into your room, at your seat beside the table.
Perhaps you are out riding in your canopied chair,
Or fishing, more likely, in some autumn pool.
Sorry though I am to be missing you,
You have become my meditation—
The beauty of your grasses, fresh with rain,
And close beside your window the music of your pines.
I take into my being all that I see and hear,
Soothing my senses, quieting my heart;
And though there be neither host nor guest,
Have I not reasoned a visit complete?
After enough, I have gone down the mountain.
Why should I wait for you any longer?

Digging around on the internet, I found this translation by Mike O’Connor (at https://www.unf.edu/mudlark/mudlark07/recluse.html):

On Failing to Meet the Recluse of West Peak

On the mountain top: 

one thatched hut,

thirty li
from nowhere.

Knock on the door: 

no servant to answer.

Look in: 

only a table for tea.

The firewood cart 

is covered;

have you gone fishing 

in the autumn stream?

I looked among the pools, 

but missed you;

wanting to pay my respects,

they must go unexpressed.

Grass shines 

in the fresh rain;

pines murmur 

at evening windows.

Here, at this moment, 

a harmony deep and unrivaled;

the self completely cleansed, 

the heart, the ear.

Although there is no 

guest and host precisely,

I'm able to intuit 

your pure thought.

Purpose fulfilled, 

I head back down the mountain;

what need now 

to wait for you?


Looking further into the matter, I find out that this book is an iteration of the classic collection of poems from the Tang Dynasty (618–907), first compiled in the Qing Dynasty by the scholar Sun Zhu, around the year 1763. Ch’iu Wei or Qiu Wei or 邱為 lived from 694 to around 789, and his work is represented in this anthology by this single poem. The poem was written in a form known as five character old style or Gushi. I will leave you to investigate the form on your own.

While I was having my teeth cleaned, I was rolling this poem around in my mind, and I wondered if I could take this material, which had been translated into free verse, and work it into at least somewhat of a metrical setting. I don’t know why I selected the sonnet form—perhaps because the way the poem is presented in Chinese is in groupings of five characters.

As to the success or failure of my experiment, that is up to you.



Friday, April 18, 2014

Meditations in Fast Times: 38. We all walk this path


Note to Readers: “Meditations in Fast Times” is a devotional writing experiment for the Season of Lent. Each day during the season, I am writing a poem as a meditation on, taking as my inspiration and intertextual basis, T.S. Eliot’s “Four Quartets”, as well as incorporating the daily office, current events, and other readings—some the same as those Eliot used while composing his seminal work and others.

                38.

We all walk this path,
The blood in our veins dances
As we follow the stars;
Each pattern is a math
Of blind schemes and chances,
Of discovery solely ours.

We seek the still,
Where at the still point
There might be peace
Within which to find will
To withstand all disappoint,
To accept a final cease.

Where have we been?
It is difficult to say;
Perhaps we are the place
Where there is no sin,
Only experience may
Mark our path and face.

We watch one we love
Ascend the final tree;
Sacrifice does not mar
The healing of the Dove,
It is here for all to see,
Being reconciled to the Star.

Freedom and release,
Both time and timeless,
Past and future join now,
Where the only timepiece,
Is being, explicitly ceaseless
—Only truth hangs from the bough.

© 2014 by Elisabeth T. Eliassen

Thursday, March 6, 2014

Meditations in Fast Times: 2. Tolerance, she said


                  2.

Tolerance, she said,
is well enough and good.
Acceptance is better.

Acceptance
of conditions,
a simple recognition
of a basic truth:
each and all are.

The storm, settling
in for a daily dose,
clattering, cluttering, close—
an exertion
gripping mind and soul
—holding self in a
grip of judgment,
casting a dark cloud
over possibility;
simple
is the most difficult
condition of all.

The rhythm of feet to floor,
the staccato of many voices
against a descant of driving rain,
these are reminders;
the vastness of experience
is no different than the center
that is home,
and each foot fall,
each whispered prayer,
each meal lovingly prepared
is refuge taken in now
and everything.

The thunder and lightning
startle one from reverie;
muscles suddenly tense,
then release
into realized truth:
acceptance is nothing less
than an intimate engagement
with all things.

© 2014 by Elisabeth T. Eliassen

Sunday, March 2, 2014

Stop and See—Contemplate


Let me celebrate Life at all times;
may a song to beauty always be on my lips—
May all my days glorify the sweetness of Being!

Friends, join me in singing;
let our music weave a celebration of Life!

We, who search and strive for truth,
are sometimes so woefully unaware:
truth constantly surrounds us
and is continually being revealed.

Let all who seek find,
and all who realize glow with dignity;
May all who suffer find relief
through transformative possibility;
Let none of us be confounded.

This lowly person asked for truth,
and was given an answer:
The Spirit of Life surrounds all those
who fully engage with the world.

Stop and see—contemplate
by resting in the goodness of Life.

Blessed are all
who love,
who do right by others,
who speak truth and beauty,
who make and nurture peace.

All who find the goodness of Life
and share it abundantly
cannot fail to be blessed.

Together,
Let's celebrate Life, at all times;
may a song to beauty always be on our lips—
May all our days glorify the sweetness of Being!

© 2014 by Elisabeth T. Eliassen

***

Stopping (concentration) and Seeing (insight) are integral halves within Buddhist meditation practice. “The Great Stopping and Seeing” is a collection of lectures set out to explicate the various methods of meditation practice, as realized by the 6th century Chinese master Chih-i.

While filtering Stopping and Seeing through my own experience and practice, the thought drifted into my head that Stopping and Seeing sounded somewhat like “o taste and see” from Psalm 34, and so this offering is a sort of re-envsioning of Psalm 34.

The interesting thing about Psalm 34 is that its heading indicates a relationship to the story of David’s adventures in Nob, as told in I Samuel 21. David, in this situation, acted as though he was insane, in order to escape from danger. Is the Psalm a crazy outburst, or does it reveal method in madness? Likewise have those awakened to enlightenment been thought, at times, to be crazy.

At any rate, we could all do worse than throw ourselves headlong into celebration, at every opportunity! 

Wednesday, April 10, 2013

Gathering Wool


Anytime, when the wind dies down,
or even when the moon is full,
when music flows from simple sound,
it’s time to gather wool.

Following pools of brighter light,
from one to another and on,
all for the improvement of sight,
and listening for snippets of song,

When flow has turned off-aligned,
people will talk, unraveling day and way;
all is valuable wool, left behind,
knowledge for plucking, as you may.

Life’s bushes, brambles and thickets catch
this knowing, framed in time and set,
just waiting for a mind whose match
is equal in need for it to be met,

Thence to be combed, carded and spun
into threads to be warp/weft woven
into tapestry mantles, to be won
—not bought—by the fittingly behoven.

Opening the senses to signs and sound,
even gooseflesh may be destined to pull;
tuned to low band, treasure may be found
by simply gathering wool.

© 2013 by Elisabeth T. Eliassen

Saturday, March 16, 2013

Justice


Guarded
by my lady, Python,
it was a sacred bridge
over a toxic chasm;
those rising vapors,
that did not dull or kill,
spoke
to the adept.

Then, someone said:
if such knowledge is power,
they should not have it;
it should belong to us
.

First came one hero,
who slew Python
and kept her skin
as a trophy.

Then came another,
who stole Tripod
and kept it
as a trophy.

Then they made copies of it,
to give away
at the games
—(the rude joke:
it should be ours, anyway;
it has three legs
!)—
as a trophy.

In sum,
the tool was taken
by those who had no use for it,
to become a symbol
atrophied.

The mistake,
in all of this,

was taking the tool
to be equal
to the act
of opening
to the holy granting
of knowledge,

was taking the sacrifice
to be a formula
that could be repeated
and reenacted,
written, embellished,
—even redacted
and gutted,
like the snake—
as if the ritual
would always result
in the holy grace.

Deafness and blindness
are the modern trophies
of such hubris;
beyond this truth,
Oracle continues to hear,
but will not speak.

© 2013 by Elisabeth T. Eliassen

Friday, August 24, 2012

Current Events


Eventful, today;
not much else to say,
except that—little by little—we slip away,
but maybe that’s okay.

Voices, loudly they cry;
“Choices,” they proclaim, “buy!”

Fruits of summer
winter in discontent;
smart suits are dumber,
tinder for wildfire foment.

Voices, quietly they sigh;
invoices quell the buy-high.

From inane to insane,
rinse, repeat and remain.

Maybe it’s okay
that we slip away
when truths known no longer hold sway
with those who have the say.

© 2012 by Elisabeth T. Eliassen

The statistics for our National GNP (gross national product) can only be generated by our purchases. We can only purchase when we have jobs and income. We can only have jobs and income if the corporations that earn the GNP open up the job market to a wider audience. Policy makers don't see this as a reality that needs to be faced; they continue to make policy based on the notion that their jobs depend on the support of corporate lobbies, not on the wider audience of potential purchasing public. The policies made by policy makers allow corporations and their talking-head-suits to abuse the working classes of the world, workers here and abroad, so that they can control more money with fewer workers (or cheaper off-shore labor). The result is economic stagnation. Policy makers know this, but refuse to do anything but pander to the corporate lobbies. Privatization has driven the cost of everything upward, even though the quality of what we are buying (think education) is substantially less. "They" tell us the costs are greater, after "they" said that business could do it all better and for less. This is the new definition of "less is more." If that weren't bad enough, out and out fraud is committed, throughout all industries, unchecked, unabated, unregulated. Seems to be a national insanity, for which there is no cure.