Showing posts with label engagement. Show all posts
Showing posts with label engagement. Show all posts

Saturday, March 12, 2022

All The Infinite Space Between

 


Because there otherwise might be silence,
the stones cry out,
mind you on your way!


Freedom is economy,
rather than autonomy;
choice is not license,
but responsibility.


This walk,
through the valley of the shadow,
is about all our meetings with other
so as to see divinity—and also self
—reflected, as in a pool of infinite love.


Would it be a surprise
to know each being
is responsible even for the air
—which seems free for all to abuse—
and all the infinite space between?
How best to use it?


The veil over perception parts
with the realization that
agency is the abeyance of will
to meet subjective moment
objectively.


Otherwise, how is the cultivation of Eden possible?


© Elisabeth T. Eliassen and songsofasouljourney.blogspot.com

Sunday, December 22, 2019

Random Thoughts on the Path Through Advent...



...Where a seemingly random set of observations may not be so random, after all.


The moment I saw it, I gasped because I know what it was and somehow understood it.

—How often has that happened to you?—

What did I see? It was an open mouth, carved into a wall, next to the front entrance of a very old building in Europe. More specifically, it was a mail slot, intended for the delivery of messages and small parcels. These can be seen in many “old world” (western) cities throughout the world, even into the Americas; the image below was photographed in Havana, Cuba. That it is a mail slot is clear, but that is not exactly what it means—that is, the symbolism of the open mouth. Generally fashioned as a grotesque or scary image, this symbolizes one of the most ancient of proscriptions: Do Not Steal. The symbolism is backed up by cultural aphorisms that run along the lines of “The righteous hand will come away whole, but a thief may be left with a stump!” Similarly, the so-called Bocca della Verità,in Rome, Italy, is a thought to represent a proscription against lying.


 While my children were growing up, literature had a very important role in our home, cluttered as it is with books and papers and music. Among their first “literary” experiences in school, they explored Greek mythology—aided by the contemporary and popular “Percy Jackson” series. This made me nostalgic: A favorite great Uncle gave me a book of Greek myth stories for Christmas, one year. I read it over and over again. The relative in question had been a classics scholar at Stanford University, and was a bookseller. This similarity in experience—mine and my children’s, decades later—gave me the feeling that most western education, for better or worse, starts with the same materials, the same essential primary reading. This may or may not be accurate, but I felt good that my children were following the same literature ladder that I had been exposed to.

The pitfall of such an education is that it makes assumptions about current generations based on the expectations made on former generations—not to mention that it can serve to limit free thought. Think about it for a moment: Academic writing is not always about presenting new and independent thought, rather it is about building on the thought (and even insisting on the same pathways) of all past generations. Every thesis and dissertation must be supported from the literature that came before it, even if previous literature is erroneous, sometimes owing to a lack of breadth, or carries implicit biases. Or worse, excellent writing of past generations is used to support and lend authority to terrible ideas. Original thinkers can break out of the mold, but not without a fight that includes vigorous viva voce challenges.

I’ve often said to my children, as they worked with reading and writing, exploring universal themes that crop up, “All words are built on all words.” That is to say, our universal life experience themes crop up in every literature and are translated into or expressed through different languages from every region worldwide in every generation. 

We started by naming, and from naming, we moved on to practical cooperative communication, thence onward to storytelling. Naming might be a solitary event, but practical communication and storytelling is a communal experience, where context and meaning are conveyed in a group setting. Original meanings can become clouded or distorted as communities become larger or disconnected, owing to migrations, greater distance between localities, greater urban density, and other social and demographic change, evolving or merging language (e.g., Spanglish), or simply the inexorable march of time. The so-called “generation gap” is a descriptive phrase that clearly defines what I mean. When I ask my kids to call me, I always say, “Dial me up.” I actually enjoy the eye rolls this anachronistic expression elicits. Childhood for my kids fell on the cusp of the tilting point away from film cameras to digital and moved seamlessly along in a very rapid innovation leap from cellular flip phone to the smart phone, “a computer in your pocket.” I sometimes worry that my kids lack portions of the cultural reference lexicon I inherited from my parents and grandparents; to me it represents a depth and a history, but who knows if that even should matter to them in their changing world. 

This how the Tower of Babel was constructed: People became unmoored from past understandings as they became immersed in newer innovations and technologies. To this day, some ancient technologies continue to persist, farming and writing (albeit, less and less in longhand), among them, as well as cooking, which can be looked on as a rudimentary form of chemistry.

Given a list that includes, licorice root, ginger, peppermint and woodbine, depending on one’s worldview and place in life, one is liable to react to the collection of items differently. The list could be seen as just that, a list of spices and herbs. Two on the list are roots; the others are shrubs. Some might glance at this list and take it for a recipefor a pleasant tea; others might have used these items medicinally, while still others might think they are flavorings for use in cooking, or, at the extreme end of the spectrum, a formula for a potion, or even as tools for magic.

The literature of myth and scripture is made up phrases and formulations that occur and recur. The similarity of Judeo-Christian language formulations with those of contemporaneous Greek literature is not often acknowledged, although there are scholars who have pointed this out. Here is where the Academy can have it’s blind spots; what demarks Greek mythology and history from so-called sacred literature of other traditions, and why should they be siloed away from comparison or examined under different sets of assumptions and standards?

Ritual words, phrases, formulations, images, employed in solitary contemplation or corporate, communal celebration are intended as a multi-dimensional experience. And example of what I mean is encapsulated in a common phrase “thought, word and deed.” Interestingly, though this phrase occurs in Christian prayer books, the complete phrase does not seem to exist, the three terms together, in the biblical canon. The origin of the phrase is actually much older than Greek or Judeo-Christian literature, coming as it does from the earlier Zend Avesta, the primary scripture of the Parsi tradition.

Therefore, O Zarathushtra! …
Make thy own self pure, O righteous man! anyone in the world here below can win purity for his own self, namely, when he cleanses his own self with good thoughts, words,and deeds.

Having good thoughts internally, declaiming those thoughts outwardly in words and embodying, exemplifying the thoughts and words in action, this is what it means to be, to use another familiar ancient term, upright. This could also be thought of as therapy, self-healing, as well as therapeutic outreach to family and greater community. This is the spirit of ubuntu, a modern African humanist philosophy; every individual has a role to play in the health of the community.

I will posit that there is a parallel consideration from the Vedic traditions: yantra (a geometric visualization tool), mantra (a chanted scripture or prayer) and tantra (the embodied practice of what has visualized and vocalized). The yantramantra and tantra are one and the same expression, inextricable, though individuals may respond better to one or another of the expressions.

Another parallel can be observed in the more modern Lucumi tradition, formed during the colonial era throughout the Caribbean region, with its earlier roots in West African Yoruba and other African traditions. Where the consecrated batá drums call the orishas to join and guide the congregation, call and response songs are sung to the sacred rhythms of the drums, and the related dance forms constitute a single, simultaneous flow of spiritual communication. The drums, the song and the dance together are a single, communal sacred expression, the sacred work of the people.

I recently took notice of the sak yant tradition of Thailand. The sak yant are a species of highly complex yantras, arising from what I would call a syncretic relationship between ancient animism and Buddhism. Modern Thai people view these symbols as magic; most do not understand the meanings of these yantras. These yantras make popular tattoos, which are administered by monks trained in the specifics of the mantras that accompany the yantras. This is the image I saw:



When I first saw the image, I understood it to mean energy emanating from the mindful being, which may be partly correct. The image is one version of what is called unalom, and it’s actual meaning is path to/of enlightenment. This yant has it’s own tone and can be expressed in conjunction with many mantras, but your life is the actual tantra.



Unfortunately, esoteric images like these are all too frequently treated solely as “magic”, as good luck charms by those who wear them, rather than the intended use as a meditation tool or an aspect of, to quote philosopher Iris Murdoch, “a moral philosophy” that “should be inhabited” by the individual. We can accept blessings conferred on us, but do we harm ourselves when we (1) don’t understand the meaning of a blessing, (2) don’t follow up the blessing with appropriate action or (3) knowingly ask someone else to act on our behalf, thus avoiding engagement? To quote Murdoch again, “Prayer is properly not a petition,” but these days, it seems almost exclusively thought of in that way. 

The inclination to give an intercessor, priest, monk, magician, shaman or guru that much power has perhaps given rise to every single example of spiritual materialism and idol worship that has ever existed. That superstition exists in the modern world – and is sometimes actively taught to people by an authoritarian few – should give us all pause. We cannot consign to others the maintenance of our moral character. Charms and magic do not make such work go away. This is why the Buddha did not want people to worship him or indeed anyone else.

That said, it is true that everyone has a role to play in the life of others, and that is the “seen and unseen” aspect of living. There are so many of us in the world just for that reason, I believe – so that we can be for others, to help others and support others, as a chain of support network that has no beginning and no end. 

During the Advent season, I enjoy revisiting the Isaiah writings in the Bible. The notion of “uprightness” stands out to me. The texts of Isaiah speak about making the crooked straight, and rough places plain. What does this mean? Does it indicate bulldozing mountains and rolling out a concrete highway for the Divine Majesty? I think not.

Rather, I look on this is a prescription for self- and communal-healing. Just as the unalom symbol illustrates the spiritual journey, each person’s conscious life is an exercise in alignment and/or realignment. How many of you remember being told by a parent, “You’d better straighten up your act”? I believe this is exactly what is intended; we are the crooked places that need to be straightened and smoothed and tidied as we move through all the stages of our life, and only we can do that work. When we “straighten up our act”, we become more mindful, and thereby become more open to the Divine, and hopefully more engaged and connected to what is happening in the world around us. 

The season of Advent has now come to it’s conclusion. We are either ready for what comes next, or not. The shortest day is now concluded, and the Dedication has begun. 

Is your home ready to receive a Holy Guest? Are you upright in thought, word and deed? Is your pathway aligned so the Guest can reach you with fluency and ease, and celebrate fully with you?

In this changing season, may we all move from darkness to light. May we help one another along the narrow roads, tidying and straightening as we go. May our mindfulness and care for one another be the only gift required to make us whole, and may peace visit you and remain with you, now and always.

Amen.

Monday, December 24, 2018

Love Came as a Child



For them that walk in starkness,
a lucid dream appears;
for them, a retreat from darkness
draws on the horizon and cheers.

Yea, there was a second and a third,
but when was spoke the first word,
that indeed was a concept: Love.
(Sung, as if from somewhere above.)

Then, held safe from all harms
as might lie in the wild,
from Labor to a mother’s arms,
Love came as a child.

Love, appearing as light,
thus cast darkness away
into new realms of night,
visible as shades of grey.

Abundant, how abundant,
and full, oh, so verily sooth:
Love, to all life incumbent,
our charge, our care, our truth.

What the shepherds saw,
what, to worship, sages sought:
loving care should be the flaw
to defy any, all, prizes bought.

The metaphor of the cattle stall,
is both the sermon and reminder:
A peaceable kingdom is here for all,
but only when we are in deed kinder. 

Love, as a child, came down
Incarnate Love, we cannot shirk;
Life, Love’s cradle and crown
is, in every generation, our work.

© 2018 Elisabeth T. Eliassen

Dear Ones, 

My wish for you, now and always, is that Love be your most abundantly shared and greatest flaw. Imagine the epitaph: “Their one flaw was that they loved too deeply, too much…” May your days be filled with everything that can be shared with love and laughter; even hardship is soon overcome where Love is lively and at work. Many hands move the work forward, onward and upward. Blessings to all!

Sunday, September 23, 2018

All That You Touch

It is not enough
that each step moves forward
if there is neither measure,
nor meaning;
if the ground that offers support
isn’t also speaking,
or, if speaking, is not heard.

Know: All that you touch is also touching you.

Being is a reciprocity,
an opportunity and invitation
to participate in fullness, everywhere
         to glean,
                  to feel,
to make,
         to sing and
                  celebrate.

Remember: All that you touch is also touching you.

You are the butterfly sightings
the drumsongs of feet,
caught up in this epic symphony;
your instrument
is tuned to the entirety
of all that has ever been,
         of all that can ever be.

Every touch, every encounter,
is an opportunity and invitation to renew,
         to grow,
                  to learn,
         love,
                  laugh,
an invitation to linger in song.

Celebrate: All that you touch is also touching you.

An infinite smear of star dust,
twin enigmas of light and dark,
blessings of water and earth,
join in the marvel of you,
burnished by sun, wind and waves,
l’dor v’ador, in saecula saeculorum.

There is no need to discover,
the garden of wisdom,
the lake of merit,
the mountain of repose,
the vale of mysteries
—they meet on the
landscape of your soul.

For, all that you touch is also touching you.

There is no need to search for
mystical union,
for all that you touch is already touching you,
awaiting an answer to the eternal question:
“Will you be with us?”
—awaiting the resounding song of your soul,
the song of “Yes.”

© 2018 by Elisabeth T. Eliassen

Thursday, January 23, 2014

Down in the Tube Station At Midnight (or anywhere, anytime of day)

Every so often, I have a guest commentator on my blog. Today, my guest is my husband, Rick Dougherty. At the dinner table, Rick related the story you are about to read. I felt it was vital and important; a story that needs to be shared and thought about deeply. This is a story about people in the Bay Area, about homelessness, about addiction, about suffering. It is also a story about intuition, compassion and engagement. I hope you will take this story to heart.

***

I was coming home from work in San Francisco today, heading down the escalator to the BART station, and noticed a young man in a grey hoody and jeans standing near the turnstile. His backpack lay against the column behind him and, as people walked past to head down to the trains, he was asking for fifty cents.

Normally I would have walked past, but something about him caught my attention. He had a very gentle demeanor, a soft voice and spoke very well. He was very thin but didn’t seem to be ill or worn like so many of the homeless do. I had taken this all in as I put my ticket into the slot and walked through the stile, and was about to move on but instead, just out of curiosity, I turned back and asked him where he was going. For a moment he looked a little puzzled, so I said that fifty cents wouldn’t take him very far. Then he gave a slight smile and a conversation ensued that moved me deeply.

He told me he was just trying to get enough for something to eat, and when I asked him where he lived he said he was from Danville but hadn’t been home in three years. He had been sleeping on benches at the airport along with many other homeless people. The police would walk past them every night on their way to eat but so far didn’t seem interested in them. I asked why he didn’t go back to his parents and he said that they had thrown him out of the house because he had become hooked on heroine.

Before it all fell apart, he had seemed to have a great life in store. He loved baseball and was a great pitcher, a lefty with a 90 mph fastball, and had received a full scholarship at St. Mary’s. But at the end of his sophomore year a teammate saw him shooting up at a party, and when the news got out, he was not only off the team but was expelled from the school.

He said that in the past three years he had overdosed eight times and that each time the medical team had been able to revive him, the last couple of times only barely. You’d think having gone through that he would have learned his lesson, he said, but within half an hour of being released he was out looking for his next fix.

I told him my own family had been riddled with alcoholics and I had learned that the only person who can save an alcoholic, or an addict of any kind, is themselves, so there was nothing I could do for any of those family members but walk away. I said that it was because of that experience that I was reluctant to give him any money. To my surprise he said, “No, don’t give me any money. I’ll just go buy heroine with it.”

I asked if he had looked into any treatment programs that could help him, and he said that he didn’t think he could make it through the twelve-to-fifteen month programs. But if he didn’t even try to grab onto a rescue line, I replied, the there was no chance at all that he could change his fate. But if he took that very first step, he might begin to feel the confidence that he could control his life and could regain the determination to see it through and pull himself back up on his feet.

He shook his head again and said he wasn’t sure he could do it. I told him that in the end there were parts of him trying to run his life, his body and his mind, and that he would have to decide which one would run it in the end.

He nodded solemnly, as did I. I wished him well and we shook hands. Then I headed down to the trains.

***

This is a simplified version of the story from the way it was told at our dinner table, but that is the whole story.

There are a great many things that could be said about the story you have read, but the one aspect I want to draw your attention to has to do with engagement

I know that I have had similar encounters with people, over the years--people who were, for all intents and purposes, struggling to deal with something. Who knows what it was that made Rick turn back? I can only think there is some sort of intuition involved. 

We will never know if anything Rick had to say to this young man will have a lasting impact (he has survived overdosing eight times, but cats only have nine lives), but I cannot help but feel that when we follow the intuition that tells us to engage,--that it is not only okay, but we need to engage--this opens a pathway for positive change.

In your dark night, whose face was it that made you smile? Whose warm hand touched yours? Whose kind word or funny joke? How was the darkness dispelled? What unexpected encounter changed your life

When you pass people huddled on the street or in the tube station or in the airport, what is it that will make you talk to one of them? Are you tethered to a virtual muffler, or are you tuned to what is happening around you?

Whose life might you unknowingly influence for the better?

One last thought: We shall all be changed, of that there is no doubt. If we shall all be changed, let it be through compassionate, caring engagement.




Thursday, April 5, 2012

This Business of Poetry, Part 10: Concluding Remarks and Welcome to National Poetry Month!

Ten installments of a free on-line poetry course is probably enough. Now that we have entered the month of April, it is National Poetry Month, and time to get back to the writing practice!

I would like to make some concluding remarks, as I bid you adieu, to continue on your journey with words.

This is my first observation: no one can really teach you how to write poetry. Yes, there are many forms and there are lots of mechanics to the many forms, but these can be learned by reading poetry and by studying poetry manuals. (Whenever you see photographs of poets and writers, these images are almost always captured in a room filled with books and papers—they must be reading a lot!) Most poets have an internal music and rhythm that either conforms or defies predefined styles; either way, no one can tell you what you are doing is wrong. Refining and reorganization can be suggested, and I highly recommend you do this with all your work.

Next, the enjoyment of poetry is so extremely subjective that you should never consider you are writing for others—the most authentic work is that which you write for yourself, rather than to try appealing to a public that may never materialize. My personal notion is that poetry evolves from an individual’s deep interaction with the world of experience.

Throughout history, poetry was a pursuit rather than a profession. Poets sent their poems to friends in letters or self-published small collections that would be given as gifts. A few people were able to establish a readership, but the work of most was not available to “the public” until long after the author’s death.

Today, many people have the idea that if they write poetry, they will be able to make a bunch of money or garner attention for themselves. This seldom happens, but if it does, the point of poetry is completely lost, because it is no longer a poet’s conversation with the experiential self.

MFA writing programs have created academic enclaves that tend to be ever so slightly elite or cultish. When you consider that the greatest poets of most ages never took a degree in the art of creative writing, it all looks a little silly and seems to have evolved for the sole purpose of keeping “professional” poets gainfully employed. The writing that results from the academic approach can seem, though it is not always the case,… well, academic, if not sterile or contrived—in order to appeal either to a general public (that may wonder, not knowing any better, if it need appreciate such work, particularly if it does not resonate with a truth that the average reader can sense) or to writers within the enclave.

The other end of the spectrum from the MFA program is the Poetry Slam; this is a live entertainment contest, held at a performance venue. Winners are chosen based on the judges' tastes, audience reactions, and the poets' "performances". These can be raucous affairs, far removed from the demeanor of a more traditional poetry reading. My father attended one recently; he was absolutely appalled. One woman read a poem my father thought was well crafted and beautiful, but she was shouted off the stage. The victor in this slam presented work that had popular appeal, but the work was rough and somewhat crude.

Perhaps there is a lesson in all this. I would say that poetry does not belong in any kind of ghetto. This is not to say that a writer might not become part of a movement, but the movement should never define the work or diminish the individual poet’s accomplishment.

If all you ever do is create a journal of your work, you have achieved something great. You are, after all, writing primarily to please yourself.

Should you decide to enter contests, you might get your work placed in publications, perhaps even win a small honorarium from time to time. Don’t make this, however, the object of your writing. Don’t be afraid to self-publish; this is the time-honored way for poets to expand their readership beyond family and friends. Here again, this should never be the object of your writing, and do not expect to really make any money.

Your poetry should be valuable to you because it is a testimony to your engagement with and observations of the world. (Off the top of your head, can you think of a person whose old personal journals have become published and recognized to be of value in modern times? I can: Leonardo da Vinci; a poet, a painter, a sculptor, an inventor and theorista renaissance man for all times!) Think of your writing as a gift that you give to yourself before all others, although you will share it more and more, as time goes on. Beyond this, who knows what can happen?

Your work amounts to the care you have lavished in conversation with yourself on your life’s journey. For that reason alone, it is priceless.

For now, best of everything to you, and WRITE ON!

Friday, February 25, 2011

Meetings

Paper worn,
sheets so old
there's no rustle left in them,
more like felt under her fingers,
or softer yet,
like the worn cheek
of a beloved old friend.

Settling the pages,
making them comfortable,
she arranged herself,
just close enough
to see the signs and symbols,
and on them meditate.

Cradling the instrument
within her warm embrace,
she took a long, deep breath,
filling her being with its sweetness.

Fixing her gaze
on those worn pages—
old friends, revisited often;
“the rules of engagement,”
she had once heard;
an apt description,
the thought occurred
—she drew the bow,
forward over the strings.

Then she leaned back,
closed her eyes,
and let the bow find the strings,
the way that they would do,
just now.

Inner ear to mind,
mind to thought,
idea to quill,
quill to manuscript,
symbols dot paper,
shapes greet the eye,
horsehair strokes steel,
steel vibrates wood,
wood sings,
space hums,
body rejoices,
soul soars.

© 2011 by Elisabeth T. Eliassen