How to Shift the Universe

 

The omnīzon is the great bloom of events,
rather like an explosion of wildflowers
in the springtime of the year.

The trajectory of each subject coincides
with the trajectory of every object
arising from evolving space-time.

All that is real and true is here,
including all the secrets of nature
into which God has retreated, not withdrawn.

The intention of each wave and particle
is equally met by energy
from this sacred well of infinity.

Thoughts blossom, nestled within other thoughts,
billowing in all directions like bubbles and balloons,
some of which pop, while the others float onward.

Superseded thoughts remain threads of the fabric,
for nothing is gained, neither is it lost,
but that it might be found useful, sometime.

Words emerge along the fabric of thought;
shall they be seamed into action,
or shall they be knit as speculative plan?

What shall signify as intent is linear,
but the word as she is spoken and sung
is the event that makes worlds and music.

Whom shall I send, and who will go for us?
the query rings from the corporate stages
of the multidimensional concert hall.

This interruption, in future interrogatory mode,
signals present pressing need of other,
a cry from the unincorporated that cannot be ignored.

On the answer to this question
all future laws, prophets, devices and worlds depend;
the omnīzon and infinite space between await your reply.

For example, when I said, Here I am; send me,
the universe shifted, and when I ventured to ask, For how long?
came the reply: Until each now passes into each next, forever.

© 2022 by Elisabeth T. Eliassen and songsofasouljourney.blogspot.com

Note: I created the term omnīzon about 30 years ago, when I was toying with writing a science fiction journey novel loosely modeled on Teresa of Avila's Interior Castle and the chakra system. My manuscript is incomplete and unpublished, but the term I created lives on with me. What does it mean? The event of the cosmos happens in all directions simultaneously, and there are systems within systems within systems, as well as systems that impinge on other systems to draw or create energy. Every moment, however that is measured, is a new creation, the shifted/altered/re-formed universe. In science fiction, there is the important notion of responsibility for changes made to the space time continuum. If only every sentient being would live up to this responsibility!

Image credit:

Gordon Onslow-Ford

Constellations in Hand, 1961 

Parle's paint and aqua polymer on canvas;
permanent collection of SFMOMA

Of Time Before Time After

A flutter of wings at my ear,
a pointed gaze of greeting
— all at once, a welling memory,
a time of knowing soul before words,
a completely other kind of knowing,
offering clarity to this experience
only from within sleep and dreams.

 

The amplitude of such interiority,
speaking as if from shadowed recesses,
is perhaps all that remains of that time,
all this time after time,
time filled with learned speech,
this a wholly different way
to perceive and filter experience.

 

The hummingbird,
having partaken of the offered nectar,
turns to me once more, as if to say,
“Yes, friend; we were there together,
remember?”

 

Such deep remembrance
renders planned trajectories irrelevant
to what is possible
when you look up,
reach out,
let loose and—
like the beautiful bird
—fly.

  

© 2020 by Elisabeth T. Eliassen and songsofasouljourney.blogspot.com

 

 

***

Memory is an astonishing attribute of mind and consciousness. 

 

This bit of writing is an attempt – in so many ways unsuccessful – to indicate an aspect of mind that I remember vaguely from my pre-verbal self in infancy. This memory is triggered every so often; last evening, what triggered it was reading this very brief passage from a lecture given in February of 1982 by Michel Foucault (published, with many other lectures delivered at Collège de France, under the title “The Hermeneutics of the Subject”): 

 

What is it to be free? asks Seneca. And he answers: To be free is effugere servitutem. 

I followed the footnote to see the more complete quote from Seneca’s Natural Questions: liber autem est qui servitutem sui (to be free is to no longer be slave to self).

And, somehow, that moment is when a recollection came of this moment I would experience before sleep, in the age of my infancy. What I remember is the sense that it seemed not so long a time before when understanding was easier because I was unencumbered, that is not enclosed, in the awkwardness of an untrained body. I can remember being put to bed, and being sleepy, and questions forming in my mind that were not tied, really, to language, as we who have words understand and experience language. My questions were about my daily experiences, about the things I did not understand. These would roll forward like an ebbing tide. Answers would flow back. The answers came in a form I cannot express; they were lengthy, precise, all at once simple and complex. Such answers would calm me and allow me to relax into sleep, but they were real answers that informed me; I recall that each night, the questions were always different, the answers were always new—like an onboard learning system, if you will.

 

Once I had attained language skills, this pre-language fell away—and I can viscerally recall feeling it recede, feeling it slip away, as it was no longer needed. Now that I had words, I could speak them to people, and get answers in that way. I can remember still reaching in my mind for that other kind of knowing, always on the way to sleep, and sometimes would still get responses. 

 

I cannot remember anything describable about this pre-verbal knowing, except that it was, and that I remember it because I experienced it, and the memory remains a part of my consciousness. In these moments when I remember it, I sometimes wonder if it remains a latent aspect within, and if perhaps I will encounter it again, in my latter days.

Meditations in Fast Times: 29. Since we were talking about words

Note to Readers: “Meditations in Fast Times” is a devotional writing experiment for the Season of Lent. Each day during the season, I am writing a poem as a meditation on, taking as my inspiration and intertextual basis, T.S. Eliot’s “Four Quartets”, as well as incorporating the daily office, current events, and other readings—some the same as those Eliot used while composing his seminal work and others.

                29.

Since we were talking about words, and words inspired us

    To perfect language and clarify understanding,

    To practice communication with using past and future,

Let me review the epic failure of that enterprise

    That we thought would bring us renown.

We spoke in tongues,
but not with the tongues of angels;
full of and with self,
we sought to be known communicants with the Divine,
rather than in community with other people,
and so our words fell flat,
spiraling downward into obscurity,
so lacking they were in music
or meaning

—if the trumpet sounds uncertainly,
how shall we understand the signal?

If we are to spread love,
it must be into the field of our life and action,
even if we never know the result of our labor.

Love of place cannot rank above love of people;
people are the servants of creation;
they are all the gardeners of Eden,
just as you are—this what memory taught me:

To be free, the self must be regularly emptied,

a sign of giving and receiving in equal measure;
emptiness is the sign of a life well spent,
regardless of any past or future claims.


Of all that I ever knew about language,
of all the words and ways,
I’d rather have just five words
that I could speak with compassion and love,
that I could be compassion and love,
that I could truly be,
and be so for everyone.

© 2014 by Elisabeth T. Eliassen

La Habana, en versos libres: V. Dias Cinco

Not quite late, but nearly
—even so, time enough
to roll the dice
with the coffee machine;
guess who won?

To class, to class, to class!
—the last one
in which we attempt to learn
the most complex genre of dance.

The eyes,
the mind,
the heart open;
so this is the truth:
when they took the drum away,
on the continent,
The People were robbed of their language.

Expected to capitulate,
The People on the continent,
nevertheless invented a new language.

But the islands regained the drum,
by way of the invention of the clavés;
the culture survived,
even flourished,
despite unintended changes,
via telegraph and telephone,
that brought a blossoming,
a renaissance,
to the tropical paradise
of song birds
walking trees
and rum.

This is a true story
[though, from his library in Argentina,
Borges would have observed
it is a true story
just made up;
this would be both
right and wrong]:
There are two birds in the forest;
both are holy beings.

One bird desires
union with the other,
to achieve the basis
that is universal:
one.

The male plumps his colorful plumage,
while the female demurs.

Though the female seems plain,
she is the Queen of
sky, sea and forest;
it is she who is mother of all.

The male, the Fourth King,
he who enjoys a good party,
he knows the Queen is best,
so he reaches into the sky,
calling on Thunder and Lightning,
pulling their power
deep into his gravitas,
placido y not.

The Queen,
she can have anyone.

The King,
is he worthy?

Right now, what can he achieve?

Is this the opportune moment
and portal
for encounter
and engagement?

Can this be love,
or merely convenience?

And what will happen next;
what are the consequences;
will the cosmos be changed?

Harmony is a coordination
of chant,
rhythm,
and movement
—one language,
heard and understood
in all times and places;
call and response,
with an outcome,
is a complete revolution,
a return to stasis and rest,
that resets the stage
for a new play.

Oddly,
“The more things change,
the more they stay the same”
is not true;
this drama kicks forward;
the revolution is really an evolution,
but only when the ritual is
correct and also unique;
there is no empty repetition
if there is blessing,
but blessing only comes
when being is engaged.

This is why the true language,
composed of thought,
                        word,
                        deed,
expressed as rhythm,
                        song,
                        dance,
is not a trinity,
but one expression,
that is being,
only when being is fully engaged.

There is no emptiness in being,
nor is there perfection;
there is only engagement with possibility.

If you believe,
if you know,
you realize the future imperfect
need not be tense;
there are no winners or losers,
there is only change,
even growth,
perhaps even understanding
and healing,
if all goes according to what is possible,
while maintaining the integrity of being one.

This, my friends, is rumba.

© 2013 by Elisabeth T. Eliassen

Forest or Trees

Deeper into the forest of books go I,
but less seem to learn of them;
the thickets of words, veritable mazes,
of which depth is oft proclaimed,
soon wear out their glib welcome
and inevitably thin to the same weedy patch,
wet and reedy, murky and muddled,
that I have explored before
--but I desire more.

The in-depth studies, the colorful analogs,
the structured cases resemble less
the actual beauty of the forest or the tree
--and I desire more.

The universe smiles wearily at my dilemma,
the untamed wilderness yawns lazily at my feet,
and the wild unknown beckons me toward its reality
--and I desire its shore.

Didn't she know? they sigh, sharing their inward smile,
experience trumps book-learning, every time;

Desire, bared upon the open shore,
shall most surely find more.

© 2011 by Elisabeth T. Eliassen