Showing posts with label Czesław Miłosz. Show all posts
Showing posts with label Czesław Miłosz. Show all posts

Saturday, April 12, 2014

Meditations in Fast Times: 34. What is poetry



Note to Readers: “Meditations in Fast Times” is a devotional writing experiment for the Season of Lent. Each day during the season, I am writing a poem as a meditation on, taking as my inspiration and intertextual basis, T.S. Eliot’s “Four Quartets”, as well as incorporating the daily office, current events, and other readings—some the same as those Eliot used while composing his seminal work and others.

                34.

What is poetry, if it does not save people?

Some of us mistook one condition for another:
that cultivation of an ars poetica
was actually cultivation of an ars vita;
in our defense, I speak for us
—we did so in good faith.

And now, we sit by the waters
as the ancients did,
by those waters of Babylon,
weeping, for all is burning.

All we can say in our defense,
‘twas all done in good faith,
but we have been captured,
we have all been captured,
nonetheless.

Is it any wonder that our hopes,
as if they were our children,
have been dashed upon the rocks?

The songs we wrote
were a poor case
of poets wanting an empire.

The wind sings through poplars,
for we are nothing of nothing,
laid low and expecting nothing.

Alone,
the wind carries forward
the memory of our intention,
and the heart.

© 2014 by Elisabeth T. Eliassen

Thursday, March 13, 2014

Meditations in Fast Times: 7. Words are a music that should really be just words


                 7.

Words are a music that should really be just words,
quothe the conflicted scribe.

Could words mean so much,
if there were nothing poetical about them?

Words, naked against the silence,
cannot be so transparent,
or what is the point (still or trembling)?

My heart overflows with the songs
I have learned from birds;
they sing to announce their rights—
all tongues must be skilled pens,
each a sword to defend justice and truth,
pointed and crafted, learned and remembered
—as well as to celebrate the communion of sunlit joys.

Along the way and wave,
words are like the intentions we pave—
for what poetry does not its people save?
— and each step we take
is eased by the music we make;
words must intend, when addressed,
to soothe the savage and his aching breast,
to be medicine that smoothes each crease,
to be the incantation announcing peace.

© 2014 by Elisabeth T. Eliassen